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1.0- "Edvard Munch created what may be called a ?spiritual climate'. Two, even three generations of artists have produced works under his influence and spiritual inspiration. He was the initiator of the style of art termed Expressionism, defined as ?expressiveness'". (J.P. Hodin) No painter previously achieved such a revolutionary distinct break from the visible world as Edvard Munch. Drawing from personal traumatic experiences, Munch portrayed incredibly powerful works that depicted psychological rigours of the everyday man; something that Edvard had a distinct experience of. (Hatje Cantz)
There never existed a painter with a greater desire for a lyrical emotional life: but his unhappy intellect never lets him forget the worm concealed in every bud, the grimacing skull beneath every face, the beast lurking behind every passion, nature's arbitrary whims in every painful sensation: and with dazed amazement, beckoned on by mocking insanity with outstretched arms, he walks through the inferno of this life as someone atavistically burdened with talent. (Reinhold Heller)
2.0- It is within the purpose of this essay to compare and contrast three publications relating to Munch's influence on Expressionism and therefore Modernism. Moreover, analysing how Edvard's technique and psychological situation throughout his life defined his works. The first of these publications
3.0- J.P Hodin's ?Edvard Munch' describes a tortured man who depicted the "condition of modern man, in a time which was not yet conscious of its own predicament."(J.P Hodin) It was this predica ...